Douglas and Marco will share how we can create “softness” in teabowls, through a study of both form and choice of clays to affect the fired object’s look and feel. Softness and its particular beauty harmonizes well with the essence of matcha and is highly sought after in tea culture.
On the firing day we will introduce the hikidashi firing techniques including kiln design, schedules, pulling methods and reduction cooling options to create different surface effects. Each participant will have a chance to “pull” their piece made during the course from the kiln at 1220°C and internalize the magic of this beautiful technique. 

Douglas Black has been based in rural Japan as a full-time, independent artist for more than three decades. From his self-built studio and home in the mountains along the Naka River in the district of Mashiko, a center of the folk craft movement, Douglas has developed original styles influenced by the culture’s appreciation for everyday ware. His genre-crossing body of work ranges from simple, undecorated vessels, celadons, shino, sculpture, installations, and utensils for the tea ceremony (chado), which he studies. Douglas Black has practiced hikidashi for over 25 years. The methods and recipes he learned have been passed down from hikidashi legends.
Marco Minetti is an artist working with native clays in California. Drawn to the large fermentation vessels and the techniques to build them known as “onggi,” Marco dedicated more than five years to learning the coil and paddle technique in Korea as an apprentice to Kwak Kyungtae. Following extensive studies of Korean wheel throwing and buncheong, Korean influence became integral to his work. Both challenging and liberating, the layering of white clays over darker forms captures the energy and state of mind of the moment. Foraging and processing clays, minerals, and ashes while reinterpreting ancient forms offers an opportunity to maintain direct contact with the earth. He strives to honor this connection through an evolving body of work both in large scale forms, tableware, and teaware.